Description of Film Post-Production by bobby bose

Description of Film Post-Production by bobby bose

In film making, post-production jobs refer to activities that take place after the movie has been shot. At this point, the director must shape thousands of hours of footage into a logically sequenced movie with sound effects, music, title graphics and all of the other elements moviegoers expect. Post-production crew members learn their craft at film schools or through apprenticeships. First jobs are often without pay, but offer valuable contacts and work experience.

Bobby Bose Film Editor Bobby Bose is a Film editor and Owner of NEIINDIA film editing institute, is planning to have more branches across the country To read more about bobby bose film editor nei india film tv editing institute kindly visit www.neiindia.com

 Film Editor

It’s the editor’s job to help the director make sense of the thousands of hours of footage shot on location. Scenes are almost always shot out of sequence, so the story must be edited to fit the director’s idea of chronology. Decisions must be made as to which of each scene’s multiple takes and camera angles will be used, and what must be scrapped. The editor completes a rough cut, which is basically the film’s first draft edit, but much more work will be done. In the past, film was physically cut and spliced, which is how actors and scenes could end up “on the cutting room floor.” But today most editors digitize the footage and use movie editing software such as Avid and Final Cut Pro.

BOBBY BOSE The owner of NEI India. He is Film Editor with 15 yrs of Experience in Films and Television To read more about bobby bose film editor nei india film tv editing institute kindly visithttp://www.neiindia.com

Sound Editors

Sound editors are responsible for all audio that must be added to a film. The music editor selects the music and edits it into the footage. This can also mean adding temporary music when the film is still in post-production. The automatic dialogue replacement (ADR) recordist works with the film’s actors to replace unusable dialogue. No matter how sensitive or well-placed the microphones are during shooting, some dialogue ends up garbled; or the scene is shot from such a distance that microphones prove useless. In other cases, “looping” is used to replace certain words with milder dialogue when edited for television. The foley artist works with the sound effects editor to create effects as mundane as the slamming of doors or as inventive as the snarl of an alien. All sound editors work under the direction of the supervising sound editor.

Music Composer

One of the final steps in production is the scoring of the film. The composer receives a rough cut and writes original music that fits the plot, each scene’s mood and the director’s intentions. John Williams’ score for the Star Wars saga is a prime example of a music composer adding an important dimension to film production.

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Post-Production Supervisor

The post-production supervisor acts as a liaison between the director and the various post-production crews. In some cases, the post-production supervisor might also help the director select staff. This job also involves being the primary contact with the film lab and other vendors during the later stages of film production.

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Film Editing: 5 Steps to Becoming a Film Editor

Do you love movies and videos of all types? Are you highly organized and meticulous? Are you willing to help others realize their creative visions? If so, then a job as a film editor might be right for you. For more information about becoming one read here.

Bobby Bose Film Editor Bobby Bose is a Film editor and Owner of NEIINDIA film editing institute, is planning to have more branches across the country To read more about bobby bose film editor & nei india film & tv editing institute kindly visit http://www.neiindia.com

What Is a Film Editor?

A film editor is a creative specialist who assembles raw footage into a finished sequence of moving images that tell a story, present a viewpoint or demonstrate an activity. The editing process typically entails organizing footage into a rough cut, then refining it by expanding, reducing, removing or rearranging the order of scenes. Editors often make major decisions about content in collaboration with a production’s director, but otherwise have a lot of latitude in the shots, angles and lines of dialogue they choose to include. On larger productions they may also collaborate with sound editors and music editors on the composition of the soundtrack. Although the career used to entail cutting and splicing actual film stock, today the vast majority of film editing is accomplished digitally on computers.

Step 1: Earn a High School Diploma

You will need a high school diploma or GED to enroll in a college or university that teaches film editing. While in high school, you might also take advantage of any relevant courses or clubs your school has to offer. For example, many high schools have production programs that expose you to the basics of shooting and editing videos. Some schools also have audio visual clubs that can familiarize you with video equipment. You might also take computer science courses that include content in motion graphics and animation.

Step 2: Earn a Degree or Certificate

Bachelor’s degree programs in film provide comprehensive training in all aspects of film making, such as pre-production and planning, scriptwriting, cinematography, lighting, set design, sound, post-production and distribution. If a program allows for flexibility in its curriculum, you should try to weigh it in favor of editing and post-production courses. Montage, linear sequences, shot relation, visual effects processing and editing software programs are among the topics editing courses are likely to cover.

You might not have to complete a bachelor’s degree in order to obtain a job as an editor. Technical schools, private trade schools and community colleges often offer associate’s degree, diploma and certificate programs specifically related to video editing skills. Such programs often cover the foundational skills of editing and can prepare you for an internship or entry-level position in the field.

Film editor Bobby Bose the owner of NEIINDIA Film and TV editing institute is planning to produce a Film under the banner of Bose To read more about bobby bose film editor & nei india film & tv editing institute kindly visit http://www.neiindia.com

Step 3: Participate in an Internship

An internship provides real-world work experience and contacts that can help you obtain a job as an editor. Having a network of contacts is especially important in the film industry. You may be able to obtain an internship through your school or through non-profit organizations, studios and industry trade groups. The projects you work on could include Internet videos, music videos, TV shows, features or documentaries.

Step 4: Obtain a Job

According to the U.S. Bureau of Labor Statistics (BLS), the motion picture and video production industry employ the vast majority of film editors (http://www.bls.gov). Editing work can range from feature films to low-budget projects and Internet media. About 19,930 people worked as film and video editors in 2010. The BLS projects employment will reach 28,600 by 2018. However, you should be prepared for intensive competition as job candidates outnumber available positions in the editing field. Keeping your knowledge of editing technology up-to-date will give you the best prospects. The median salary of film and video editors was $50,930 as of May 2010.

BOBBY BOSE – The owner of NEI India. He is Film Editor with 15 yrs of Experience in Films and Television To read more about bobby bose film editor & nei india film & tv editing institute kindly visit http://www.neiindia.com

Step 5: Advance Your Career

In the film industry a typical career path takes you from apprentice editor to assistant editor to full editor. The most skilled editors sometimes become directors or transition into production. Consider joining a union to improve your chances of advancement. In a union you could move from apprentice to assistant in three years or less and from apprentice to editor in five years. Most film editors who join a union become members of the Motion Picture and Videotape Editors Guild of the International Alliance of Theatrical Stage Employees.

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Film Editor: Education Requirements to Become a Film Editor

Film editors take the raw footage from production and assemble music, sound effects and dialogue to create a seamless, cohesive story. There are several lower-level editing positions available depending on the scale of a project, and many future editors perform these jobs on their way to becoming lead editors. An academic foundation followed by work experience is necessary to become a film editor.

Bobby Bose Film Editor Bobby Bose is a Film editor and Owner of NEIINDIA film editing institute, is planning to have more branches across the country To read more about bobby bose film editor & nei india film & tv editing institute kindly visit http://www.neiindia.com

Education Requirements for Film Editors

Educational requirements for film editors vary because employment is often based upon experience and industry connections. Film editors typically earn a Bachelor of Art with a major in film and television, film studies or communications. Because film editors (http://education-portal.com/articles/Film_Editor_Career_P…) need to know how to work camera equipment, they may also major in cinematography. Film editors may attend independent film schools, photographic institutes, community colleges and technical schools as well as traditional universities.

Curriculum for Film Editors

In all programs, students learn about filmmaking equipment and the filmmaking (http://education-portal.com/articles/Filmmaking_Degree_an…) process. This includes traditional editing methods, such as cutting and splicing, although films today are edited digitally. Computer editing programs Final Cut Pro and Avid are the predominant editing software used by professionals. Editors will master one of these programs, but it is advantageous to know both.

Film editor Bobby Bose the owner of NEIINDIA Film and TV editing institute is planning to produce a Film under the banner of Bose To read more about bobby bose film editor & nei india film & tv editing institute kindly visit http://www.neiindia.com

Internships for Film Editors

Internships give students the opportunity to learn skills outside the classroom, such as editing (http://education-portal.com/articles/Music_Editing_Progra…) techniques specific to a genre of film or television, from a professional editor or team of editors. Internships also offer students industry contacts for future work. According to the Bureau of Labor Statistics (www.bls.gov), it’s important to start your career as early as possible, because editors with the most work experience often have the most job opportunities.

Apprenticeships for Film Editors

It is rare for an editor to be the lead editor on a film right out of school or even within the first years of work experience. According to the Motion Picture Editors Guild (www.editorsguild.com), film editors begin their careers as apprentice editors or editing room assistants. This step is important because it allows individuals to observe how the editing process works and, unlike an internship, is a paid position. Apprentices should be keen observers of the techniques and the processes of editing. An apprentice is essentially learning how to become an assistant editor, the next step in the chain of employment.

BOBBY BOSE – The owner of NEI India. He is Film Editor with 15 yrs of Experience in Films and Television To read more about bobby bose film editor & nei india film & tv editing institute kindly visit http://www.neiindia.com

Continue your educational search by selecting the program you’re interested in to view schools:
Cinema Production Services, Digital Cinematography Studies or Production and Digital Filmmaking

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Rule Of Editing Is Emotion Bobby Bose File Editor Loves This Article

Bobby Bose Film editor has planned to give opportunity to NEIINDIA institute students to take part in film making process. He is in the process of selecting few students to work on sets and also in editing.
Have you even gotten a good story and had no video to support it? That is a rhetorical question by the way. That happens every day to every editor at some point. This story had very little video. But that didnt matter. This story had something much more important. It had emotion. Anytime I get a chance to edit a story that has emotion Im all over it. What do I do to help the story? What emotion can I cut into to? How will my edit decisions impact the story? Are there edits Im not going to make that are important?
It is my job as an editor is to make you laugh or to make you cry. Sometimes the material we are given makes that a little easier than other times. This story is about a women that could of been a victim of a serial rape suspect. In the interview she was very emotional. My job as an editor is make sure her emotional state comes through in the story. My job is to also stay out of the way. What do I mean by that? Sometimes an editor needs to not make an edit. Those non-edits may be the most important edits you ever make.
Karen didnt want her house identifiable in the story. I used this tight shot that could be from any house in many neighborhoods. Notice I put a slow zoom on each of these shots. I hate static shots. ? I hate static shots I am a fan of movement. This is a visual medium of motion. I like to have as much motion in every story as possible. At [:45] her soundbite is It was the first thing that popped into my mind, that it was him. There is a full second (30 frames) of silence before the narration starts. Im giving the viewer that extra time to feel and see her. Film editor Bobby Bose the owner of NEIINDIA Film and TV editing institute is planning to produce a Film under the banner of Bose Entertainment
Sometimes nothing is more powerful than something. At [2:16] is the final section of narration in this story. 9 seconds go by and then she sniffles. The story ends. This is a powerful moment with no narration and no sound from her. She is simply emotional on camera. You can feel how fortunate she feels not to be a victim. You can feel how terrified she still is. Simply amazing what 9 seconds of silence does for a story. About the Dissolves I dissolve mostly by feel. Feel is impossible to teach. Let me try and rationalize these dissolves with some logic. In this story most of the dissolves represent a transition in space. Dissolving from inside the house to outside. Dissolving from a sketch to Karen. The 3 shots of the exterior starting at [:22] are cut together because they are all outside shots. As for the dissolves from Karen wide to Karen medium or Karen tight, I simply dont like cutaways in this type of story. Karen is the story. Her emotion is the story. Cutaways of her hands, of a lamp, or anything else wont add to the story.
Whats the turnaround time? This is one of the most dangerous questions in the editing community. Clients and Producers are now requesting location editing more than ever and its not just the news that is under strict deadlines. Now corporate clients request location editing with their video crews so they can upload a final edited piece in a couple of hours. Whether its editing a package from an event or just trimming up a news conference, nothing is easy when you are editing onsite. Location editing packages should come with the following programs: Editing Software: There are three major options: Final Cut Pro, Avid Media Composer, and Adobe Premiere Pro. There are many other options out there, but these are the three major programs I will be discussing. Audio Suite: This will help edit, mix, and add effects to audio. The editing program will have audio suite built into it, but it is usually limited in what you can do with it. Compression Software: Raw high definition video files are large in size. To get that final edited and uploaded to the website you need a compressed file. Popular compressions are H.264, .FLV, .mp4.

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The Importance of Editing Film and TV Production - Bobby Bose Editing Article

To the uninitiated, editing may look like a monotonous task that is both mentally as well as physically taxing. To be honest, the appearance of the complex mechanical and technological equipment, along with the never-ending reels of film can easily intimidate a wannabe editor. However, unlike the popular conception of editing being a stark and tedious job, it is actually a very interesting career path, and involves oodles of creativity and ingenious innovations.

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In fact, the film editor has the job identical to a cook. He has all the raw materials at hand (the film reels), he has a precise plan and storyboard treatment in mind (the recipe), and has the utensils (technical equipment) to prepare the same too! And as every cook has his own indigenous flavor and garnishing styles, every editor too has his own approach and technique while treating a film or a TV show. And for anybody who has had an interest in the technicality and the post-production segment of films, editing perhaps is the most alluring aspect of all.

The importance of editing dates back ages, chronicled in the book "The Technique Of Film And Video Editing" by Ken Dancyger. It upholds some of the finest examples of editing imparting the narrative of the film through silent shots, music and jump shots involving ordinary objects. Alfred Hitchcock's filmmaking (in films like 'Vertigo' and 'The Man Who Knew Too Much') is considered to have some of the finest editing work by the erstwhile standards, and can easily exemplify why editing is considered so integral to the success of a film or TV production.

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In the earlier ages, editing was physically done, with the help of mechanical equipment that sliced, spliced and appropriately put together 'linearly' edited reels. The digital revolution and technological advances like the Firewire have magically simplified the post-production process. With software applications like Adobe Premiere, Final Cut Pro and Windows Movie Maker, editing is not restricted to professionally trained editors and apprentices. The ease of use and interactive applications has made it possible for film students, amateurs and one-time users to edit their own film or video productions.

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The advent of computers has also allowed editors to enhance the creativity of their work. Unlike the mechanical equipment which was used on the original reel and did not warrant a liberal creative license or room for error to the editor, digital editing offers a huge scope for improvisation. The latter has opened up avenues for experimentation, much better treatment and quick editing procedures. Off late, films have been centered on editing and the whole post-production process, rather than the filming of the same. Recent examples can include 'The Lord of the Rings Trilogy' and 'Avatar', the latter incidentally being the highest revenue-grossing films of all time!

With technology advancing in the speed of light-years, editing in film and TV production has gained a pivotal role. And every filmmaking unit, irrespective of size, style, location or budget, has already acknowledged the same!

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Basic Film Techniques Elliptical Editing : Bobby Bose Editing Article

Overview Film editing is the process of joining separate shots together in a sequential manner in order to produce a comprehensible narrative film. Once post-production on a film begins, an editor is given the raw footage (often not filmed chronologically), and must work with the director to place scenes in a logical order to tell the story. Editing involves a great deal of creativity and is often referred to as an art. Whereas a director may have shot several long, uninterrupted shots, an editor can choose to splice other angles of that scene in for various effects. Editing is a critical tool for telling a narrative and it keeps the story line on an even keel. Bobby Bose Film Editor - Bobby Bose Film Editor. ... Know More AboutBobby Bose Film Editor To read more about bobby bose film editor nei india film tv editing institute kindly visit www.neiindia.com Film Editing History The earliest film editing was done with the camera. The director would stop filming at the end of a scene, then move the camera or alter the stage, and begin filming again.Georges Méliès used this technique for early special effects (infoplease.com). He would set off a small cloud of smoke in front of an actor, stop filming, then resume once the actor had left the frame, making it appear as though the actor had vanished in a poof of smoke. Bobby Bose Film Editor - Bobby Bose Film Editor. ... Know More AboutBobby Bose Film Editor To read more about bobby bose film editor nei india film tv editing institute kindly visitwww.neiindia.com There is a difference between the “natural” story time and narrative, plot or screen time. Essentially recording natural time would require filming every movement in real time. If a woman leaves her house after receiving a phone call. If this sequence was recorded in natural time it would require at least 30 minutes. This would include collecting her keys, her handbag, putting her shoes on, going to the toilet, walking to the door, opening it, locking it and walking to her destination. Instead of showing all this extended action in natural time the director can cut out all of the ‘unnecessary’ action and reduce 30 minutes into 1 minute. Bobby Bose Film Editor Producing Film under banner of Bose Entertainmentshttp://bobbybosefilmeditor.com/bobby-bose-film-editor-ose-entertainments/ Bobby To read more about bobby bose film editor & nei india film & tv editing institute kindly visit www.neiindia.com A simple cut, fade or dissolve [All indicating different amounts of time passes] can facilitate the movement in natural time. Instead of the long sequence we could be shown the end of the phone call, a cut to her placing her shoes on then a cut to her walking down a highstreet into a block of flats. Three simple cuts reduce the screen time but, one logically accepts, retains natural times’ affects on the temporal environment of the screen world and the characters’ involved- in essence if it was twelve at her leaving then it should be half twelve at her arrival at the flat. This simple and basic technique allows narratives to span large spatial and temporal distances without the need to follow dull action. This editing technique could transform a boring home movie of forty minutes length watching a whale performing tricks into a snappy interesting scene of a few minutes; the manipulation of time, through elliptical editing, is central to the movement of a narrative. Elliptical editing at its most extreme can be used to make two vastly different spatial and temporal arenas collide. This technique is famously used in Stanley Kubrick’s2001: A Space Odyssey(1968), in which the spatial temporal environment of the ape is linked, or matched to give its correct term, to a space station orbiting around earth.

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The Power of Sound and Editing : Bobby Bose Editing Article

When most people think about movies, they usually judge them in terms of acting and directing, rarely does a person judge its editing or sound mixing. The reason for that being is because most editors and sound editors do all they can to make their editing as smooth as possible for the audience. When editing and sound mixing is used correctly there’s a certain flow that’s required in a good movie, the movie seems to fit better, and the truth is without editing and sound mixing most great movies wouldn’t be nearly as good as they are regarded. The 1974 Francis Ford Coppola thriller The Conversation and the 1960 Alfred Hitchcock horror movie Psycho are perfect examples of movies largely depending on the process and technique of editing and sound mixing. Each of those movies can be seen as perfect examples where the editing and sound 99mixing were used to perfection.

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Storyboard Image of the Shower Scene

In terms of editing a movie, there’s mostly the basic idea of joining shots to give the sense of continuity in terms of time, space, graphics, and rhythm. In terms of sound mixing, there’s the basic idea of fidelity, the extraction of sound such as off screen sound, and of course the addition of sound to a particular scene. However, there’s also the connection between those two aspects or techniques. With precise editing, there’s always a fascinating interplay of sound and image. Editing is so much more than just the joining of shots; it requires instinct, accuracy, and precise use of shots in terms of their relation to one another. After Alfred Hitchcock’s 1960 classic Psycho, the editing was probably revolutionized because of the use of various forms of editing in that particular movie. In terms of rhythm, the movie uses the movement in time very efficiently. For example, it is clear that the movie starts one afternoon, as we are transformed from outside the window of an apartment into the apartment using smart editing. However, when Leigh leaves the room, we realize that it’s still that same day. She goes to work, collects some money that she’s supposed to put into the bank and goes back home. All that happens in one particular afternoon, and when she decides to run away with the money, the editing in terms of rhythm becomes more and more interesting. Hitchcock uses a close up of the main character, Marion Crane, as she drives away from her hometown. The shot shows her face, part of the steering wheel, and the background, which includes the sky.  The first quarter of the movie takes place in one day, which gives the movie a very interesting flow, and movement of time. The following shot involves Marion waking up the next morning after spending the night sleeping in her car. Again, the viewer knows that it’s the next day, and for the next twenty minutes or so, we stay within that time frame (she goes changes her car, and by night pulls over to the Bates Motel). George Tomasini, the editor of the movie also uses editing in terms of time very precisely. For example, the scene in which the private detective, Arbigast starts checking different hotels for any information on a missing Marion. The scene shows Arbigast in different hotels in various shots, which gives us the sense that time has passed, and that he checked those hotels in a period of time.

Tomasini also uses the relation between shots quite creepily in terms of graphics. By showing shots of stuffed birds, he puts the viewer in an uncomfortable mood. The last type of relation between shots can be seen as Tomasini uses space. When Marion’s sister, looks outside of the Bates house and sees Norman running towards her from the Bates Motel.  Psycho is a landmark in terms of editing for the very reason that it uses a large variety of editing in less than 120 minutes.

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The Shower Scene

Another element that most viewers aren’t aware of is the process of sound mixing. Most people think there’s nothing to sound that requires talent, accuracy, and time, yet the truth is without proper sound editing and mixing, movies wouldn’t be at the place they are today. Elements such as overlapping dialogue, manipulating volume, using silence, extracting and adding sounds, and off screen sounds are just a few of the procedures and aspects that the sound editor has to have in mind. In Francis Ford Coppola’s The Conversation, the subject of sound is the main focus of the plot. The idea of having the ability to record any conversation between two individuals without them notice it is terrifying, yet very interesting. There’s one particular scene in the movie that was and still is very fascinating to watch. It’s when Harry Caul played by Gene Hackman tries to record a conversation between two characters in the middle of a crowd. Bobby Bose Film Editor,neiindia film & tv editing institute - Bobby Bose Film Editor. ... Know More AboutBobby Bose Film Editor To read more about bobby bose film editor nei india film tv editing institute kindly visit www.neiindia.com

In order to find out what they are saying, he extracts overlapping conversations, on-location sound, and abstract noise; at the end Harry Caul ends up with the line “He’d kill us if he got the chance.” That particular scene has got to be one of the most revolutionary scenes in film history in terms of sound mixing. The way the main character plays with all kinds of overlapping sounds, makes the viewer wonder if this is the same case when it comes to filming a movie.
In order to edit certain scenes properly one has to have the element of sound in mind. In probably one of the most famous, and well edited scenes in all of cinema, also known as the shower scene in Psycho, the use of both editing and sound to create a realistic and horrific scene is very detailed, carefully thought out, and perfect. In less than one minute, we witness a combination of at least 50 shots, in relation to the sound of a knife slashing against skin. However, what’s even more interesting is the fact that we never actually see the knife enter the woman’s flesh, yet we’re convince we do through the sight of stabbing (hand motion), sound effects, the musical score, and of course the careful editing. While most people think that the director and the actors do most of the work, one has to know that the editor, sound mixer, and composer have a lot to do with why the movie turned out the way it did. Therefore they deserve a lot more acknowledgment and credit for their work. The job of the editor is to take scenes and fit them together, and just like a puzzle, they have to fit together perfectly. In addition to that the sound effects, off screen sounds, overlapping dialogue, and every other aspect relating to sound is taken care of by the sound editor to assure a realistic and smooth feel to the movie. On top of all that we have the musical score of the movie which most probably serves as the flow of the movie. In order to turn out with a great movie, one has to make all three of those techniques work well together without the audience noticing. Both The Conversation and Psycho have done so, which is probably why both of those films are studied worldwide by film students and professors.

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